All quiet on the western front tone mood
One that expresses the horror of war and the damage it does to individuals. Bitterly, Paul speculates, "There were thousands of Kantoreks, all of whom were convinced that they were acting for the best — in a way that cost them nothing. They have had very little sleep for the fourteen days since they relieved the front line and seventy of their one hundred and fifty men are dead at the hands of Russian gunfire.
Remarque takes us away from the action long enough to introduce the characters and setting, produce the initial tone of the narrator, set in motion various themes to be illustrated shockingly, and string together a group of symbols that will be amplified.
In this way, we hear and see his disapproval of the war and his celebration of humanity. Kantorek, the object of Paul's bitterness, is only one of many German role models who convinced the lost generation that it was their duty to go to war.
Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony — Forgive me, comrade; how could you be my enemy?
Take for example the following passage: He plays mostly folk songs and the others hum with him.
These bright spots in so dismal an introductory chapter are dampened by Paul's realization of his past: "And we saw that there was nothing of their world left.
I am so alone, and so without hope that I can confront them without fear.
Poetic language in all quiet on the western front
Lukkonen, Petri. More than 1. Only the Militiaman Stanislaus Katczinsky has died. We are none of us more than twenty years old. Again and again Paul mentions his generation's loss of innocence. Bitterly, Paul speculates, "There were thousands of Kantoreks, all of whom were convinced that they were acting for the best — in a way that cost them nothing. He bribes the attendant to give Kemmerich extra morphine to ease his suffering. Quotes From Chapter 1 "The leader of our group, shrewd, cunning, and hard-bitten, forty years of age, with a face of the soil, blue eyes, bent shoulders, and a remarkable nose for dirty weather, good food, and soft jobs.
The boys know the orderlies will steal the boots when Kemmerich dies. We are old folk. Remarque writes using a simple style.
Patterns in all quiet on the western front
Though I am in still water far away from its centre, I feel the whirl of the vortex sucking me slowly, irresistibly, inescapably into itself. The majority of his storytelling efforts are spent describing the atrocities of war, and so his tone is appropriately grim, matching the emotional and physical landscape of the war. Realizing how lucky they are for this respite, they do not discuss the war. Life during war is not an adventure to be enjoyed; it is a struggle to endure. In contrast to these themes, Remarque also provides contrasting motifs of warmth. In my young years I took pride in the fact that luck was called a lady. I am so alone, and so without hope that I can confront them without fear. Even in this first chapter, he describes vividly the knowledge that the "old hands" like himself know compared to the raw recruits. Callousness and greed are also a part of this story. It is almost as if each generation must learn this lesson firsthand for itself. I raise my eyes, I let them move round, and turn myself with them, one circle, one circle, and I stand in the midst. All is as usual. These young men were in Paul's school class, and the novel follows their lives. I will come back again!
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