Writing a melody to a chord progression
How to write chords for a melody
You already know that you want to end on C, with the I C major chord, which is a big first step. Often used in blues and rock. The first beat of each measure is often a long one, and the melody doesn't jump too chaotically. Scale Melodies are formed from scales. Begin the process of melody creation by humming one note that works with that progression, moving it up or down only to allow it to fit with your chosen chords. Very… country-like. Give your chords rhythm too, rather than keeping them constant during a measure. Create a melodic fragment based on a pentatonic scale. This is where you have to think! Or make sure that every fourth chord in your progression is the same. Pretty awesome, right?
Here a procedure you can follow for creating a melody that works with your chord progression: Play the progression many times so that it becomes very predictable to you. I prefer to create or choose a sound first as I know having a good sound will influence my writing decisions certain melodies will work great with a massive trance lead, but not as well with a cheap piano sound.
A badly taken photo of my hand-drawn contour.
To make sure that your melody doesn't clash with your chords, pick notes from the chords for each measure to use in your melody for that measure. Normally I'd do something a little fancier, but in a piece this short I don't want to wander around too much with lots of variations, because I'm not going to have much time to get back home.
How to write a melody on guitar
Once you can play the chord progression you are ready to improvise a melody over the top. The difference between motif and melody A motif does contain melodic characteristics, but calling it a melody is a little far-fetched. However, sometimes you don't want to shift the whole chord an octave, or the instrument doesn't have the range to play it that low or high. Using notes in different octaves can help keep your melody from leaping from place to place. Change the backing rhythms You may not notice that each time you create a chord progression for a new song, you have your favourite go-to backing rhythm, and in addition to making all your songs sound similar, it stunts your imagination for improvising a new melody. Pretty awesome, right? Most of the time, you want to keep the distance from one note to the next to two steps letter names or less, for instance from C to E. The rhythm and variation make it memorable. Scale Melodies are formed from scales. You might also experiment with tempo as well. Play or sing the scale of the key — try playing it going up and then play it going down. That's called an inversion. If you do happen to play guitar, it's got even more. Start and end on C Since we're in the key of C, the note C and the chord C major or I feel like home while we're listening to the song. See how the G stays the same from measure 8 to measure 9 now, and the other two notes only move by one?
Often used in blues and rock. Each time you play the progression, whether on your guitar, piano, or some other chording instrument, change the voicings so that different notes are the topmost ones.
Home is usually a good place to start the song, and it's almost always the right place to end. That's called an inversion.
Or does it move up to them incrementally. Find Contour from Images and Scenery Some people like having a visual counter-part to audio.
IV and V are good, satisfying chords too especially Vso they also work well to end a phrase, and help keep it from sounding like it's the end of the whole song.
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